Saturday, January 28, 2017

Closet Spaceship Part 19

I was looking for Reggie when Tim Caswell spotted me in the corridor of Penumbra.
“Hey,” he said.
I winced, hoping he’d forgotten our last talk. “Hi.”
He laughed. “Caught you.”
“I was actually looking for Reg …”
“Is it important?” he asked.
“What?” I said. “Uh, well, no, I guess not. Not really.”
Sometimes I have to stop to admire how articulate I can be. This was not one of those times.
“Good,” Tim said. “Then it can wait.”
He beckoned and led me into the radio station, where we sat down in some chairs a few meters away from the microphone.
I fidgeted a little, wishing I could hear the song that was playing throughout the ship so I could lose myself in the words or the instruments, but he’d turned down the volume so it was inaudible. I looked at the blinking lights on the control panel, the crumpled candy wrapper on the floor next to the wastebasket, a scuff mark on the floor that looked like a bent cactus.
In short, I did almost everything but ask him what I wanted to ask.
Tim might not spend a lot of time around people, but he’s not dumb.
“You want me to find Reg for you?” he asked.
“No, thanks,” I said. “I can’t ask him any more than I can ask you.”
“Ask us what?”
“What’s going to happen?” I slouched down in my chair. “Don’t answer that.”
“Happen where?” Tim asked.
“In my novel. In my life. In the U.S. Everywhere.”
When I saw the puzzled look on his face, I added, “Sorry. Never mind. It doesn’t matter.”
“I can’t tell you anything,” Tim said, “but maybe I could walk out of here and leave the database unlocked.”
I shook my head. “I’m trying not to get you fired.”
“Okay, so what set this off?”
“A lot of stuff. Amazingly enough, having the Cubs win the World Series didn’t solve the world’s problems. Or mine, although it made them a little less obvious for a while there.”
Tim started to say something, but then he shut up.
“No,” I said. “You can’t say whether they did it again. Why am I even having this conversation?”
“So you won’t have to tell me about the cubicle?”
I laughed, which felt good.
“If I did walk out of here,” Tim asked, “would you look?”
“No,” I said without hesitation. I’ve always had a fear of knowing the future, because if it’s not good, I can’t do a thing about it. If I don’t know, I can still hope for the best. “Would you?”
He thought about it for a while. “No, I guess not. But I do know this: you’re not going to tell me about working in a cubicle.”
“Not if I can help it,” I said. “You’re better off not knowing.”
“It’s funny,” Tim said. “I’m not a big fan of secrets, but we can both keep ours: don’t ever tell me and we’ll be even.”
“It’s a deal,” I said.

I can hope for the best, but will I?
I’ll try.

Saturday, January 21, 2017

Unwriting

Writer's Block.

The mere phrase strikes terror in the hearts of writers everywhere. Nobody wants to think about it, but it happens to all of us.

I have several methods to deal with it. I go for walks so I can think. I listen to my favorite music. I read books by other people. I reread my own books (to remind myself that I can do this).

Lately, though, I've recognized that something else is called for. This one took me a long time to figure out when I first started writing.

Here's what's happening: I write a few sentences and then it's as if my characters stop and look at me to ask what's next. I write a few more sentences and they stop again. They're not running out ahead of me like they usually do. They're looking at me as if to ask, "What are you doing?"

After this has happened several times, I finally admit it to myself: they're doing this because something is wrong. If I can't figure out what happens next, it means I'm not happy with where I am. Somehow, I've gotten off track and I shouldn't be here.

So I do one of the hardest things for a writer: I "unwrite." In my case, that involves cutting and pasting text into a Rejects file, in case I want to use some of it later. Basically, it means removing a big section of what I've written most recently. That hurts, especially when I've been battling writer's block and I'm so proud of myself for actually writing something, anything. It has to be done, though. My characters are telling me that they shouldn't be here, so I have to take them back to where we went wrong and start again.

This has worked for me in the past. I think my subconscious recognizes that I went astray at some point, and I just have to figure out when that was and correct it. Once I get it right, my characters usually run out ahead of me again and we're all on track together.

Meanwhile, I've also recognized a major plot mistake in this novel, so I'll be trying to correct that.

All in a day's work for a writer.



Thanks for reading my blog. Feel free to post comments. Happy 2017!